"..Rory Dean’s tribute to Godard does an excellent job in emulating Raoul Coutard’s signature camera angles from behind the characters, indoor panoramas and plain-air portraits, like the ones framing a beautiful girl on the beach through the lens of Eddie’s camera. What makes this film truly Godardian, however, is the postproduction intervention in its black and white colour regime (amounting to what the director calls a “whimsical palate”) and in its sound design." Continue reading ![]()
